#ADOBE PHOTOSHOP LOGO 1987 SOFTWARE#
#ADOBE PHOTOSHOP LOGO 1987 TRIAL#

#ADOBE PHOTOSHOP LOGO 1987 SOFTWARE#

In 1987 Adobe introduced Adobe Illustrator, software for creating vector graphics, drawings, posters, logos, typefaces, presentations, and other artworks. While handling the situation of the font wars, Adobe continued focusing on desktop software development. Apple teamed up with Microsoft trying to sell Adobe stock and develop their own font-rendering technology called TrueType. Soon after, Apple and Adobe had disagreements on the type licensing fees which caused the font wars in the late 1980s. Adobe reported making $100 million a year in printer software and font licensing. Adobe started to develop different types of fonts after seeing the success of PostScript for both Apple and Microsoft users. Publishing can’t live without fonts/typefaces. In 1983, Apple became the first company to get a PostScript license, and two years later in 1985, Apple Inc incorporated PostScript for its Macintosh compatible laser-writer printer. The industry has already voiced this concern in the subgenre of AI image generation, and it's still being debated on several levels, but in the meantime, it's fun to see what people can come up with with a little (or a lot) of aid from a machine (below, image credit: fangming.li).Soon after the founding of Adobe, the desktop publishing technology known as PostScprit became a huge success. However, with some creative editing and post-generation touchups, artists can mask these flaws enough to pass the work off as fully human-created. Generative image AI has come a long way but is still struggling with a few things, like eyes and fingers.

#ADOBE PHOTOSHOP LOGO 1987 TRIAL#

Getting a beautiful eye-catching piece takes a good understanding of image composition, a bit of trial and error, and some final touchup work. As you can see in the video below, getting the final image to look good is usually more than just stretching out the borders and calling it a day. While Dobrokotov didn't share his process for creating his stunning expansions, others have. Speaking of which: Dobrokotov's extension of Muse's Black Holes & Revelations is pretty trippy too (below).

Additionally, the super-extended crosswalk stripes and the fish-eye effect to the sides make the image fit right in with the 1960s era of psychedelic album art. Another effect he likely prompted from the AI is the surrealistic space theme across the top of the image. Dobrokotov's take on the Abbey Road album is a prime example (below).Īlthough the Beatles released Yellow Submarine three years before Abbey Road, Dobrokotov added a yellow submarine off to the side as a neat little tribute. While the Nirvana album looked like a quick job – simply expanding the borders and then letting Generative Fill do its thing – some of the other covers took some prompting and trying out a few generated elements before landing on something stunning.

His rendition of Nirvana's Nevermind (above) racked up over 2.3 million views in just a few days. The self-proclaimed Russian multimedia artist used Generative Fill to expand some iconic album covers. One impressive set of images is from a Twitter user going by ' Dobrokotov' ( AI Molodca on Telegram). People have already started going wild with the feature on social media, with many examples going viral. Users can extend the edges of a picture in any direction, and Generative Fill will produce cohesive content with or without contextual prompts. In a nutshell, the tool is part of Adobe's image-synthesis model Firefly. Recently, Adobe released a Photoshop feature called 'Generative Fill, ' enabling content creators to expand an image beyond its initial borders. This advancement is arguably more evident in the subsector of image generation since it's had some time to brew and simmer down some of the early controversies it faced, which large language models are facing now. In context: Despite the reservations from some groups wanting developers to tap the brakes on generative AI, the technology continues to improve at a breakneck pace.

Adobe photoshop logo 1987