#Hollow man 2020 movie

They both belong firmly in the genre of ‘movies that wouldn’t happen if you just believed women’. It mirrors the structure of The Invisible Man beautifully though, a character becomes convinced of a ridiculous thing that we know to be true, there is a midpoint turn that calls the audience’s bluff after questioning the truth for so long, and the characters are involved in similar crimes in similar ways that get them put in mental institutions that they then have to break out of to solve the murders, and they both end in very similar ways as well. Candyman though stands alone in its quality though, (maybe because it’s actually sympathetic to women). Whether we’re talking about Basic Instinct, Body of Evidence, or Fatal Attraction, the 90s were very concerned with how much you could trust women. Films about the reliability of women and their testimony was very much in the zeitgeist of 90s thrillers. The Invisible Man at points does feel very 90s. You could argue until the cows come home about how self-critical Body Double‘s male gazing is, but it is certainly a film about the ways in which men project themselves onto women. The first director to get multiple mentions in this list, Brian de Palma’s Body Double often plays out like an inverse of Whannel’s The Invisible Man. The key to understanding Black Christmas is really its abortion subplot and the way that ties back into the main plot in a way that perfectly exemplifies Black Christmas‘ commentary on the way men commodify and control female bodily autonomy and female spaces, which is really a key dynamic in The Invisible Man, the invasion of bodies and spaces without your knowledge or control.

#Hollow man 2020 movie

In both The Invisible Man and The Babadook, the monster is mental illness.Ī movie about women being stalked by men? Well look no further than Bob Clark’s Black Christmas. In many ways The Babadook is a monster movie in the same way as The Invisible Man, this entity just hanging over this unfortunate woman and slowly ruining her life. Jennifer Kent channels classic horror while giving it a deeply fresh edge in this revolutionary ghost story that reflects the horrors of being traumatized and begreived. Like The Invisible Man, All The Colors of the Dark puts you in the emotional position of a woman in a sexist society with terrifying efficiency. From then on the aesthetic shares much with The Invisible Man, from the clinical yet frenetic camera work to systematic cutting off of support structures as a method of terror.

All The Colors of the Dark follows Edwige Fenech as Jane Harrison, who feels dissatisfied, and her search for meaning leads her to take part in a black mass. This genre is, as we will see, not unique to Gialli, but with films like this, Forbidden Photos of a Lady Under Suspicion, and Amer, it’s obvious that it is common to Gialli, and a significant contingent of the genre. While most Giallo are viewed as men investigating the murders of women, Martino helped define a genre of ‘Women In Peril’ Gialli, where women aren’t fitting into the role of the domesticated heterosexual housewife in the modern world pushing them to conspiracies where they are the only sane ones being gaslit by society. All The Colours of the Dark (Sergio Martino, 1972)ĭeeply inspired by Rosemary’s Baby, this is Martino’s second Giallo and one of the all-time greats of the genre. Aside from that though, the idea of the xenomorph is entirely relevant to the idea of an invisible abuser that you cannot see invading and ruining your life. Avoiding spoilers, this is… relevant to The Invisible Man. Now, we’ve tried to be as spoiler-free as possible, but if you want the cleanest of experiences watching The Invisible Man, this is maybe an article you should hold off from reading until you’ve seen the movie.Īlien was described by its writers as an attempt to convey to men the horrors of sexual assault and forced impregnation. So what legacy is The Invisible Man drawing from if not the classic monster movies? Today we lay out 23 films that connect to and inspire The Invisible Man, that you can use to help contextualize it, and also just enjoy as the great movies that they are. Totally removed from the original classic, The Invisible Man plays out like a totally modern parable about abuse, self-destruction, and the cultural trauma toxic masculinity has left upon the world. The Invisible Man though seems to be a totally different beast.

Whannel seems to have defined his approach to technology, motivated camera movement, and experiential post-production experimentation that he broke out using with sci-fi action hit Upgrade. Leigh Whannel’s The Invisible Man has become one of the most celebrated horror films of recent years, (read our review here).